Voices
Michael Blyth spoke to filmmaker Ramon Te Wake, whose film Wait, Wait, Now! is part of Five Films for Freedom 2025, about celebrating her trans and Māori identities on screen.
Confessions of a Shinagawa Monkey is a new UK/Japanese play. Matthew Lenton, Artistic Director of the theatre company Vanishing Point in Glasgow, tells us how it was made.
The UK premiere of Opera Aperta's award-winning 'Chornobyldorf' was part of the UK/Ukraine Season of Culture. Here Dasha Stokoz talks to the team behind the production.
Tendai John Mutambu is a film programmer and writer from New Zealand based in Bristol, UK. He tells us what is important for moving image curators and how he built his career.
Researcher Dr Jessica Mordsley explains, on the examples of Welsh and Spanish, why rhyme, repetition, and rhythm are so effective in helping us learn a language.
Have you ever dreamed of writing stories for children? New Zealand children’s author and editor Don Long offers a few tips to lift your writing to the next level.
!['[W]atch the films in advance so there are no awkward moments during the screening.' Photo](https://www.britishcouncil.org/sites/default/files/styles/bc-landscape-100x56/public/film630x354.jpg?itok=MxBypef3)
Have you ever shown films to your class, or considered setting up a film club? Daryn Simon, Head of History at Ysgol Bryn Alyn, and Beatrix Clark of Into Film share some advice.