Voices
Roald Dahl is famous for his exuberantly inventive use of language. Dr Susan Rennie, chief editor of the Oxford Roald Dahl Dictionary, describes his techniques.
Steve Gardam, director of the Roald Dahl Museum and Story Centre, explains the great writer's working habits and what they teach us about how to be creative and productive.
We interviewed Dr Asma Ibrahim, director of the Museum and Art Gallery Department at the State Bank of Pakistan, about some of the greatest risks to heritage, among other things.
Duncan Wilson, chief executive of Historic England, explains what motivates us to protect and care for our built heritage.
Ros and Neil Johnson, speech and drama specialists at Theatresaursus, explain the benefits for presentations of improving the voice, and offer some techniques.
This year's architecture exhibition in the British Pavilion at the Venice Biennale, Home Economics, promises to change how we think about the way we live.
Professor Michael Dobson argues that Shakespeare was a champion of free movement, and averse to insular nationalism.
!['[W]atch the films in advance so there are no awkward moments during the screening.' Photo](https://www.britishcouncil.org/sites/default/files/styles/bc-landscape-100x56/public/film630x354.jpg?itok=MxBypef3)
Have you ever shown films to your class, or considered setting up a film club? Daryn Simon, Head of History at Ysgol Bryn Alyn, and Beatrix Clark of Into Film share some advice.
Jenny Sealey, who directed a group of Bangladeshi deaf and disabled actors to perform Romeo and Juliet, tells us whether it is harder for deaf and disabled actors to make it.
We spoke to Minglu Wang, who designed the stage set for the first Ukrainian adaptation of Shakespeare's The Winter’s Tale.