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 ©Biological Atelier by Amy Congdon, MA Textile Futures 2011
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Central Saint Martins College of Art and design, University of the Arts London

Textile Futures group

Central Saint Martins College of Art and design, University of the Arts London

Textile Futures research

cubed logo © British Council
Textiles Science and Fashion
Designing for a sustainable future
One challenge in designing a sustainable future is radically examining how we understand and use textiles and materials. New technologies and scientific understanding is providing exciting opportunities for scientists and designers to collaborate and experiment. Researchers in Textile Futures at Central St Martins, University of the Arts London are dedicated to expanding our concept of what is a textile.

Fashion responsibility
Inspired by fears about radiation rain and acid rain after the devasting earthquake in Japan, Dahea Sun’s ‘Rain Palette’ project took a poetic approach to visualising the quality of air using rainwater. She has used natural dye processes to create a collection of garments, which can change colour in the rain. Her idea is to use the tag of the garment as a ph reader and she envisages an app that can scan the garment and give a ph level reading for the acidity level of the rain. This data can be pooled and used for mapping global ph levels. Her concept showcases how fashion could potentially map data to promote corporate environment responsibility.

The project to grow victimless leather by the SymbioticA group in Australia demonstrated how living tissue could be multiplied to make a seamless jacket. Amy Congdon, a researcher at Central St Martins was inspired by her own research residency at SymbioticA. She is exploring how biotechnology can be used to design new hybrid materials, which can be ethically and sustainably grown.

Shamees Aden collaborated with leading protocell scientist Martin Hanczyc, to develop her interest in the protocell, taking nonliving material and culturing it in the lab and making it behave as if it was living. She is developing wearable products using protocells and imagining future designers using these biological tools

© Protocells- A New Living Material Technology by Shamees Aden, MA Textile Futures 2012

Traditional craft and science
For Caroline Till, who is acting course director for the Central Saint Martin’s Textile Futures MA, this research allows designers to explore the future of materiality. She explains, ‘it’s about defining a discipline and redefining what a textile can be. The students are introduced to a wide variety of techniques and processes so we operate on a broad spectrum of skills. From very low-tech craft processes up to high-tech smart technologies and all our students look to combine the opposing ends of those spectrums.’ Defining textiles in the broadest terms means opens fashion to new taste and tactile experiences with a scientific and ethical sensibility.

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