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Simon Mawer
7 August 2010

The British writer Simon Mawer is visiting Malta to participate in the University of Malta’s “Evenings on Campus” on August 7. The reading and discussion will take place at Atriju Vassalli, Msida Campus at 8.30 pm.

The event is organised by Evening on Campus, in collaboration with the University of Malta's Department of English and the British Council.

Tickets (8 Euros) can be purchased at the door.

Simon Mawer was born in 1948 and spent his childhood in England, Cyprus and Malta. He studied zoology at Brasenose College, Oxford, and has had a career as a biology teacher.

He is the author of two books of non-fiction: A Place in Italy (1992), an account of two years living in an Italian village; and Gregor Mendel: Planting the Seeds of Genetics (2006), a book written with Field Museum, Chicago, exploring Mendel and his legacy, and linked to the museum's exhibition of the same name.

His first novel, Chimera, winner of the McKitterick Prize, was published in 1989, and is partly set in Italy, where he has lived since the 1970s. This was followed by The Bitter Cross (1992); a historical novel set in the Mediterranean in the 16th century; and A Jealous God (1996).

In 1997, Mendel's Dwarf, based around the life of Gregor Mendel, the father of genetics, and the modern day experiences of his great-great-great nephew, a molecular biologist, was shortlisted for the 1999 Los Angeles Times Book Prize. It was followed by The Gospel of Judas (2000), also set partly in Italy, a literary suspense thriller revolving around the discovery of a lost papyrus scroll near the Dead Sea. The Fall (2003) is set in the world of British rock-climbing in the early 1970s and won the Boardman Tasker Prize for Mountaineering Literature the same year.

Simon Mawer's latest novels are Swimming to Ithaca (2006), partly inspired by his childhood on Cyprus, and The Glass Room (2009), shortlisted for the 2009 Man Booker Prize for Fiction, the Walter Scott Prize for Historical Fiction and the Wingate Prize.

Critical acclaim to The Glass Room:

...Mawer’s control of his themes of language, desire, memory and the power of place is extraordinary...

The Daily Telegraph

...a thing of extraordinary beauty and symmetry.

The Guardian

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