Edgar Lee Masters, the author of essays, biographies, poems, plays and fiction, was versatile and prolific, but none of his fifty-odd works enjoyed the popularity and acclaim of his Spoon River Anthology, his greatest work. He published the first version of it in 1915, inspired by a weekend filled with reminiscences with his mother in his childhood home of Petersburg, Illinois, located on Spoon River. The original is a collection of poems that present the reflections of the fictional residents of Spoon River, a town patterned after Petersburg. Some of the characters are based on historical figures: Anne Rutledge was a close friend of Abraham Lincoln in the early 1830s. Lucinda Matlock is based on Masters' grandmother, Lucinda Masters. Most of the characters, however, are Masters' imaginative creations. In Spoon River Anthology, Masters presents a wide variety of human experience and creates memorable characters and situations. Source: http://cw.mariancollege.edu
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I was a lawyer like Harmon Whitney Or Kinsey Keene or Garrison Standard, For I tried the rights of property, Although by lamp-light, for thirty years, In that poker room in the opera house. And I say to you that Life’s a gambler Head and shoulders above us all. No mayor alive can close the house. And if you lose, you can squeal as you will; You’ll not get back your money. He makes the percentage hard to conquer; He stacks the cards to catch your weakness And not to meet your strength. And he gives you seventy years to play: For if you cannot win in seventy You cannot win at all. So, if you lose, get out of the room— Get out of the room when your time is up. It’s mean to sit and fumble the cards, And curse your losses, leaden-eyed, Whining to try and try.
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The Green Clothes
The colourful tips, The smoke, The dry lips, The tired voice, “No more bets” The hands, Erratic sights, Constrained tones, Mesmerizing lights, Twenty eight seconds of roulette’s spin Nervously jigging ball The clothes are green Somewhere, in another world, The ringing of falling coins and obtrusive melody: “Tu-ru-ru-ruuuu”…. These are very, very far. His body, glance, nerves, Brain, space and time are Condensed in the small ball, Which is trembling in the circle. Dryness in the throat. That is all: Morning, 4:48, emptiness … . The blazing desire to win back, To take revenge, to bring back The nerves, the time, the brain And all that was spent in vain.
by Gulnara Karimova
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One-Dollar Gambler
I have one dollar to bet on number 13 One dollar for a loaf of bread With a piece of ham, sandwiched between two slices of tomato. One dollar for a hot milk tea Before work time starts. One dollar for some paper and ink And some knowledge for a blind man. One dollar each morning, One dollar each night and for each brick I laid. But, I bet one dollar. The counter closed The next day number 13 appeared In the middle of my drowsy eyes On top of my nose Or somewhere in between the hollowness Of my empty hands. I now have zero dollars to bet Zero dollars for bread, tea, paper, ink and bricks! Zero dollars, again, for number 13.
by Phan Thi Nam Mai
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either absolute or relative comparative or superlative you need compromise to live. life is love and love is life …
for this short duration with no rewind or alteration with only one direction compromise … to be happy … or sad for … good … or … for bad … life is love and love is life …
too short the duration … with any calculation whether addition or subtraction … impossible the alteration … life is love and love is life
a number … with less than two zeros ... may be the result or not ... more than one ... as the first digit. the second … digit … not more than double of the first … out of ... rarely three components ... life is love and love is life ...
for this short duration with no alteration I need a better calculation for efficient ( time) utilization. life is love and love is life ...
while time is life ... and ... life is love both are relatively too short unwisely to spend.
grebekka
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