Text only  Print this page | E-mail this page| Add to favourites
British Council LearnEnglish Central British Council LearnEnglish Central
learnenglish central magazine, image copyright by Paul Millard
this theme
wordplay: see an article, poem (1) and poem (2), a cartoon, many word games, some trivia and links
magazine archive
See lots more articles in our archive
e-newsletter
Sign up for our newsletter and receive updates about what's happening on this site.
learn english
Learn English in your country, in the UK or take an exam
How to play with words
by Keith Sands

This paragraph is not ordinary. Look at it. At first, it won’t look too odd. Just a normal paragraph – you may think. But look at it again and you might find it a bit unusual. Just a tiny bit. What’s wrong with it, you may ask? Nothing wrong at all, in fact:: as I said, it’s just slightly unusual. It’s difficult to put it in words. Look again. Is anything not right? Can you spot it? Is anything…missing?

Double-click on any word and see its definition from Cambridge Dictionaries Online.

Read the article and then do a comprehension exercise. Then do some writing yourself.

You can also listen to this article:
Download mp3 file or listen on your PC
To download, right-click on the link above, choose 'Save target as', and select where you want to save the file. If you're a using a Mac, simply double-click on the link and use the on-screen window to select the file's destination.
If you want to listen on your PC, just left click and the file will play in your default player. For Mac users, click the link.

(Print article and do activity on paper) (pdf file - 100 KB)

What you’ve just read is a lipogram – a text written without using a particular letter of the alphabet. It’s the hardest kind of lipogram, as it doesn’t contain the letter E – the most common letter in the English language. Try writing one yourself, even a few sentences, and you’ll see it’s pretty difficult. Now imagine the task faced by the French writer Georges Perec, when a friend challenged him to write a whole novel without using E – a letter that is even more common in French than in English.

Perec was a frighteningly clever writer. He was a lover of word games and puzzles, and a master of the Chinese board game Go. He wrote crossword puzzles for Paris magazines. He had already written a 5,000 word palindrome – a text that reads the same forwards and back, like the well known 'A man, a plan, a canal – Panama.' But his friends thought that this task would be beyond him. Indeed, they staked money on it.

Unlocking the imagination

He took up the challenge. He was unable to use more than 70 per cent of the words in the French language. The most common articles and pronouns, most of the French verb endings, and nearly every feminine noun were off limits. Imagine a French writer not being able to use 'une', 'le', 'je', 'elle', 'est', 'et'! Surely enough to kill any writer’s ability to create.

But Perec was not just any writer. He discovered that, on the contrary, this 'impossible' rule unlocked his imagination. He later claimed that he wrote his novel faster than any of his other books. He was forced to think. He had to fight for every sentence. He had no choice but to be original.

The result was La Disparition, a surreal detective story about the mysterious disappearance of a character named A.Vowl. (Get it?) The only E's were the four in the author's name on the cover. He placed dozens of clues in the book about the fantastically difficult rule he was working under. (For example, the chapters are numbered 1 to 26, but there is no chapter five, E being the fifth letter of the alphabet.) Despite the clues, many of the original reviewers failed to spot what was staring them in the faces – the missing letter. Embarrassing for the critics, hilarious for the writer and his friends.

Fortunately, the game Perec was playing did not destroy the book itself. It’s not just a novel without the letter E, it’s also a good novel in its own right – very funny, if you know its secret; and rather disturbing if you don’t. Every sentence seems twisted slightly out of shape, and the resulting style is unique. It’s like chaos theory, which says that a butterfly’s wingbeat in South America might cause a hurricane in China. Remove a tiny thing – a single letter, that you’d hardly notice – and the whole world is changed.

After he finished his novel, Perec decided he needed to use up all the E's he hadn’t used in the novel, so he got rid of the A's, I's, O's, and U's – and wrote a short story in which E is the only vowel.

Has anyone matched Perec ? Probably only the British writer Gilbert Adair, who translated La Disparition into English,. again without using a single E. You could argue this is even more difficult than Perec’s original task, as Adair had to keep to the original story. Nevertheless, he managed it. Even the title was hard to translate: it couldn’t be called 'The Disappearance'! The title of the English version is A Void, a play on words Perec himself would have enjoyed. 'Avoid', of course, is what the writer does when he writes a lipogram – avoiding all those nasty words with E in them.

Instant poetry

Perec was given his 'impossible' task by a fellow member of OuLiPo.(Ouvriers des Literatures Potentials, 'The Workshop of Potential Literature'). This was a group of experimental writers in Paris in the 1960s, whose leading figures were Perec, Raymond Queneau and the Italian Italo Calvino. The OuLiPo group developed the theory that writing under constraints and rules was a way to achieve true originality. Perec liked the paradox – the more you limit yourself, the freer you have to become.

Perec’s book is proof, perhaps, that this experiment works – but probably only if you’re brilliant in the first place. However, another of the OuLiPo word games is within everyone’s reach. Anyone can write an OuLiPo poem: all you need is a pen, paper and a dictionary.

Take a poem you like, or maybe one you don’t like, and underline all the nouns.

Look them up in the dictionary, count seven entries forward from the noun you started with, and replace the word in the poem with the word you find. If it’s a verb, add -ing. So here are the first lines of Dante’s Inferno:

In the middle of the journey of my life

I found myself in a dark wood…

Which becomes:

In the midnight of the joy of my life insurance

I found mythology in a dark woodpile …

You now have an Oulipo poem. It won’t make much sense, but it’ll probably have some surprising phrases in it you wouldn’t otherwise have thought of. If you don’t like it, change the adjectives as well. Then the verbs. It’s cheating, but it’s truly democratic. Anyone can be a poet – sort of. And it’s a lot easier than lipograms.

Your turn

Choose a famous poem. Change the first verse into an Oulipo poem. Send us your poems.

What do you think of this article? Do you agree with what it says? Send us your opinions.

Links

Wikipedia: word game
Brainteasers and riddles
Word oddities

The British Council is not responsible for the contents of external websites.

The United Kingdom’s international organisation for cultural relations and educational opportunities.
A registered charity: 209131 (England and Wales) SC037733 (Scotland)
Our privacy and copyright statements.
Our commitment to freedom of information. Double-click for pop-up dictionary.
 Positive About Disabled People Download Browsealoud