Hotel Methuselah is a performance that pushes at the boundaries of scenic design and digital technology to create a unique experience for spectators.
The action is viewed through a six metre letterbox-shaped gap, like cinema wide-screen, which only reveals the performers' bodies from knee to neck. A film is projected immediately behind the acting space, which the performers mirror with perfect timing. Working alongside Laura Hopkins' exquisitely designed interiors and costumes, Rodrigo Velasquez's digital cinematography creates Harry's amnesiac existence in astonishing detail. The film shows beautifully lit and composed close-ups of the characters' faces as well as scenes of the hotel's interior. As the walls and floors begin to move and perspectives shift, when the worlds of the stage and the screen are seen to pull apart, the disorientating psychic and physical experience of Harry's collapse is memorably brought to life.
Neil Boynton’s soundtrack, especially created for this production and produced in Surround Sound, places the spectator at the heart of Harry’s traumatic story. Referencing sources that vary from Shostakovich and popular French ballads, to motifs drawn from horror films and sampled sound, Boynton creates an audio landscape that viscerally captures Harry’s descent into his nightmarish world.
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