SIZE OF COMPANY
3–4 on the road

SCALE OF VENUE
Small- to large-scale

PERMANENT STAFF
Alex Bradley

ARTISTIC POLICY
Alex Bradley creates collaborative/solo interdisciplinary works that seek an exchange between artist and audience and a questioning of their relationship. Using existent and emergent technologies executed through theatre and live art methodologies creating works that challenge both in form and content.

REVIEW EXTRACTS
'I allowed myself to be dazzled… submitting to the throbbing soundtrack and sympathetically changing light show.' Newcastle Journal (Whiteplane_2)

'An excellent perceptive experiment which… puts sight and hearing on the same level, exalting the endless possibilities of the latter.' Neural.IT e-zine (32,000 Points of Light)

'Sworn off hallucinogenics? No problem!' The Guardian (32,000 Points of Light)

CURRENT PRODUCTIONS
Whiteplane_2 Large-scale sound and light installation using LED technology and ambisonic sound. (Minimum 7 day run, 10 min continuous loop, 6–7 on the road)

32,000 Points of Light Middle- to large-scale immersive sound/animation work suitable for cinemas, galleries or other settings. (6 min continuous loop, 2–3 on the road)

Migrate (with Hetain Patel) Durational henna tattooing work (4–6 hours, 2 on the road, contains semi-nudity)

(a certain) SILENCE Immersive sonic work for one in designed environmental ‘pod’ OculasTM. (6 mins, multiple showings, 3–5 on the road)

FUTURE PRODUCTION
Songs for Dead Buildings (working title) Major sited work. (30–40 mins, crew tbc)

WRAP-AROUND ACTIVITY
Workshops available in digital video/audio, performance technique, sound spatialisation for ages 14+ years.

RECENT INTERNATIONAL WORK
2003 Australia (research and development), Mexico (32,000 Points of Light)

TOURING AVAILABILITY
Details on request.