SIZE OF COMPANY Varies
SCALE OF VENUE Small- to middle-scale
PERMANENT STAFF Artistic Director Suzy Willson
Artistic Director/Music Paul Clark
General Manager Anneliese Graham
Producer Louise Blackwell at Fuel
Administrator Christina Elliot at Fuel
ARTISTIC POLICY The Clod Ensemble creates theatre, music and performance events, workshops and courses in London, the UK and internationally.
REVIEW EXTRACTS ‘The Clod Ensemble is one of those highly inventive and anarchic companies thrusting its way through traditional boundaries of drama.’ The Guardian
‘The winning combination of music (composed by Paul Clark) and experimental physical theatre (directed by Suzy Willson) has made them pioneers of contemporary music theatre, taking them into new territories, often in collaboration with other artists and disciplines.’ Total Theatre
‘It was the kind of absurd, inspired happening that makes the city come alive. Keep an eye out.’ The Guardian (Red Ladies)
CURRENT PRODUCTIONS Under Glass A series of performance pieces, which take place within glass boxes and jars. Commissioned by Sadler’s Wells, can be performed individually or as a series in gallery or theatre spaces. (Number on the road varies.)
Red Ladies A site-specific chorus piece featuring 18 identically dressed women, which starts in the streets of a city before moving to an “encampment” in a theatre. (90 mins, 22 on the road.)
Greed Inspired by the silent melodrama of 1920s cinema and the slapstick of Keaton and Chaplin. No spoken text. Features an original score for piano. (60 mins, no interval, 3 on stage, 6 on the road.)
The Silver Swan An “installation concert” for seven unaccompanied female choral singers. Ideally suited to non-theatre spaces. Can play several times in one evening. (20 mins, 7 on stage, 11 on the road.)
FUTURE PRODUCTION Must A collaboration with US performer Peggy Shaw (Split Britches), Must is a poetic look at what it feels like to have a body. It excavates the memories and images contained in the joints and layers of bone. To be performed in theatres and anatomy theatres. (60 mins, 1 on stage, 3 on the road.)
WRAP-AROUND Workshops, education projects and residencies in music, covering theatre, movement, devising non-text-based theatre, and non-verbal communication skills. The company also runs a project that uses arts in medical education, which can be visited at: www.performingmedicine.com. All education work is inspired by the teaching of Jacques Lecoq.
RECENT INTERNATIONAL WORK 2004 Armenia, Bulgaria, Ireland, Sri Lanka (Greed), Taiwan (It’s a small house and we lived in it always), Thailand (Greed)
TOURING AVAILABILITY All available throughout 2008
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