The aim of this seminar was to bring together artists and specialists from two distinct circles of electronic music - those coming from the academic contemporary music tradition, and those representing the most sophisticated forms of music to have emerged from the dance and pop environment. Although these two circles may seem separate, the music they compose can often sound quite similar. In fact, there are artists who unite and mix the principles of these two musical streams. For example, DJ Scanner with his live-remixing of the music of Salvatore Sciarrino; the double album containing remixes of Iannis Xenakis’s Persepolis made by various artists; and compositions by Yannis Kyriakides. Important progressive music magazines, such as the UK’s The Wire, successfully deal with both musical streams. Many interesting issues and questions arose from this meeting:
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the idea of remixing artifacts of musical culture; putting the work of a composer in the hands of a DJ |
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the idea (and tradition) of musical composition vs. the idea (and tradition) of musical improvisation (performance) |
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the diffusion of high and popular art |
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how dance features as a factor in various genres of electronic music. |
The main purpose of the seminar was to provide a meeting-place for composers, musicians, theorists, music producers and DJs so they could exchange knowledge and experiences, as well as to discuss the issues mentioned above and other far-reaching topics. Participants included: institutions, organisations, associations and personalities interested in the development of electronic music. The seminar was organised by the Austrian Forum of Culture; the Warsaw Autumn Festival; the Centre for Contemporary Art, Ujazdowski Castle, Warsaw; the British Council; and the American Embassy. |