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British Council Arts
Omid Djalili. Credit: Just For Laughs festival programme, 2002.
Live Comedy

Since the late 1970s with the birth of British comedy clubs, initially modelled on those in the United States, stand-up has been the main feature of this form of live entertainment. However, several other comic types – sketch comedy, improvised games and scenes, physical comedy and solo pieces combining elements of stand-up and the dramatic monologue – have also emerged and there is now considerable cross-fertilisation between them all. There are also several companies that are crossing the boundaries between theatre and live comedy.

This 'alternative comedy' movement has its historical roots in Music Hall and Variety, but the emphasis is solely on humour created for a variety of purposes. These range from reflecting upon the oddities of human behaviour, to making social or political comments, or offering escapism and release through sheer absurdity and daftness.

Malcolm Hay, Comedy Critic, Time Out London

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What work does the British Council do in this area?
Humour, at least humour that is language-based can be a difficult genre to transport, both due to the specificity of the humour itself and the complexity of language used. Because of this, much of British Council support has focused on English-speaking countries, for example supporting Eddie Izzard’s first forays into the US and Canadian markets and regularly supporting the Britcom strand of Montreal’s very high-profile Just for Laughs festival which, in 2002, featured the hugely successful Omid Djalili.
Les Bubb, clown and mime artist, in Turkey, 23 April 2003
Credit: Les Bubb'Funny, high-speed, elastic clown', live-comedian and mime artist Les Bubb performed in Ankara in April 2003 as part of the 20th Ankara International Music Festival.
Just for Laughs Comedy Festival in Montreal, July 2002 and 2003
Credit: Just For Laughs comedy festival, MontrealRead more about Montreal's annual comedy showcase featuring the best comedians and street performers from around the world.
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